PLAYS
WHY WE HAVE BOOK CLUB
CAST SIZE: 4
RUN TIME: Approx 90 mins
Every month, college friends Mac, Audrey, Lia, and Sarah meet for Book Club to talk about literature (their lives), favorite authors (each other), and to analyze plot and character (to drink.). Through book club meetings, phone calls, and therapy sessions, the play follows the four women over the course of four years as they grow, get married, grapple with sexual identity, have children, lose family members, and fail/succeed at loving each other. A play about the closeness and danger of intimate female friendships. Half in a world of full-hearted and quick paced naturalistic realism, and half in the hazy, strange poetic place we go to when confronting ourselves. A comedic shot to the heart.
WHY WE HAVE BOOK CLUB has been developed with De Frente Productions, HB Studio, The Bechdel Group, and 3 Days Prior. It was a finalist for the Jane Chambers Award for Feminist Playwriting . It was also a semi finalist for the SheNYC festival and a quarterfinalist for the Screencraft Play Competition.
PASSION PROJECT
CAST SIZE: 5
RUN TIME: Approx 90 mins
CAS
PASSION PROJECT is a contemporary ensemble play set in a rehearsal room, where young artists rehearse a play written decades earlier by their director’s late grandmother. At the center is Annie, a working actress at a breaking point, torn between healthy love and addictive toxicity. As ambition, friendship, and intimacy collide, the question emerges: Is pursuing a dream an act of devotion or self-destruction? Should love be easy or hard? A play about friendship, approval, art, and passion - what it costs, and what it sometimes gives back.
In February 2026 Claire Latourette and Grace produced a 29 Hour Reading of PASSION PROJECT at the Harvey Fierstein Lab in the Lincoln Center Performing Arts Library. This coming fall PASSION PROJECT will receive an developmental reading in Seattle, produced by Mindy Lehrman Cameron.
DOUBLE TAP
CAST SIZE: 7 (6 w/ doubling)
RUN TIME: Approx 2 hrs
CCASAS
A play about six college kids in New York City. Kate Morgan, known by thousands of followers as @betterkatethannever, doesn't come home one night. The play deals with the aftermath of Kate's disappearance. As a result of losing Kate, the remaining five friends discover the ways they themselves are lost. They speak honestly about female friendship, fall in love, come to terms with sexual identity, and try to find Kate. They ultimately find each other.
DOUBLE TAP had a developmental reading at Atlantic Theatre Company and was a semifinalist for the National Playwright's Conference and the Thomas Wolfe International prize.
GRANDMA, IS EVERYTHING GOING TO BE OKAY?
CAST SIZE: 5
RUN TIME: Approx 90 mins
70-something firecracker Kate Fields raised her grandchildren
Livvy and Lion so that her daughter Filly could be a Hollywood star. When Kate is diagnosed with Alzheimer’s and moves into a nursing home, 24- year- old Lion takes over parenting his teenage sister as they lose their grandmother more and more each day. A play about chosen family, joy, loss, and the gift/burden of talent.
GRANDMA, IS EVERYTHING GOING TO BE OKAY had a developmental reading in August 2022 directed by Kimberly Senior and featuring Michael Boatman.
DEAR COLLEGE,
CAST SIZE: 6
RUN TIME: Approx 90 mins
CASCCA
The eldest May child Declan is USC-bound, straight white male "perfection." When he leaves for college, his younger sister Keely resolves to do whatever it takes to join him there-- even though her scores definitely aren't up to snuff. She enlists the help of her gifted adopted sister Molly to tutor her. Meanwhile, her parents enlist the help of a Rick Singer-like "college counselor" offering guaranteed admission for Keely, to the tune of 50,000. A story about privilege, female intelligence, and what we're left with when secrets come to light.
DEAR COLLEGE, received the Lionheart New Works Festival Award For Playwriting.